那谁和那啥歌剧
渣特给演垃圾意大利剧的德国演员单独写aria,萨萨在排练的时候把德国演员拉到一边,甩锅给罗森博格,嗦罗森博格不喜欢这个aria,您还素别唱了吧!演员听了,渣特发现罗森博格压根对aria没异议的时候不爽了。在信里破口大骂萨列里这个混搭和其他意大利人组队欺负自己。
作者按:当德国人滴大家在排练破烂意大利剧的时候,扎扎又单独给德国人写剧很容易被认为素德国人组队搞什么阴谋!萨萨其实是在帮助扎扎,避免误会!表面上阴暗的行径,实际上暗戳戳帮助了他人,我的天哪,沉默的爱情!!
扎特传(所罗门的
感觉作者列你扎作的曲以及他的朋友都跟报菜名一样的,怎么有人缘这么好有这么勤奋的宝宝啊!!((宝还专门把想念的朋友用首字母顺序里出来,活脱脱一个bibliography,天才宝(充满爱意滴晕倒
任选摘抄的一段:But throughout his life, Mozart struggled against the demands of his past, the survival of archaic patterns of behavior, and the incessant invocation of his childhood image, for these were largely insignia of the reenactment and perpetuation of ancient rites of submission... In actuality, Mozart wanted to leave childhood and its subjections behind, to shatter the frozen perfection of the little porcelain violinist and to put in his place a living man, one with sexual appetites, bodily functions, irreverent thoughts, and selfish impulses, one who needed to live for himself and his loved ones and not only for those who had given him life.
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